The same goldsmith and sculptor who created Athanor was called to give shape and matter to the cap, with whose words we describe the genesis of the artifact.
The genesis of Amygdala’s iconography consists of geometric signs: two circles that describe two worlds partly intersected with each other, resulting in forming the third central figure of the almond.

Declining the plurality of the multitude with two almonds placed on different inclined planes in space, connected in a light balance, almost touched, to intercept the landing to embrace, and then settle on sinuously in a hospitable verticality. Looking for the sense of a symbolic multiplicity, enclosed and protected within it, which is a religious icon, a neurological fulcrum and still more and infinitely, Reaching uniqueness by setting a different mineral in each fused sculpture. Agates, quartzes, rhodonites, opals, jasper, precious fruits of a body placed on the highest point of the Amygdala bottle.

@nino.borrelli